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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Escape, 2006 by Eddy Collett

Headspace 7

Me and My Place
Previous exhibition, 2006

Headspace 7: Me and My Place, the seventh in the National Portrait Gallery's series of student exhibitions, will be presented at Commonwealth Place. Me and My Place is the curatorial theme for the 2006 exhibition.
Damien Parer

Mirror With A Memory

Photographic Portraiture in Australia
Previous exhibition, 2000

This is the first major exhibition to examine photographic portraiture in Australia, from its beginnings in the early 1840s to the present day
Margaret Whitlam

Open Air

Portraits in the Landscape
Previous exhibition, 2008

Open Air is an exhibition of portraits of Australians in environments of particular significance to them.
Portrait of Dame Elisabeth Murdoch

The spirit of the gift

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers celebrates the support given to the Gallery by Gordon and Marilyn Darling.
Tim Winton

2020 Annual Appeal

Annual Appeal

In 2020 the Annual Appeal was focussed on Sally Robinson's remarkable portrait of author Tim Winton.
Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present
Nancy Wake - The White Mouse

Capturing the Mouse

Magazine article by Dr Sarah Engledow, 2004

Nancy Wake AC (b. 1912), one of the most­ decorated women of World War 2, earned the name the 'White Mouse' for her maddening ability to evade the Gestapo.
blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021
blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021
blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021

blood/memory: Brenda & Christopher I (Gurindji/Malngin/Mudburra; Mara/Ngarrindjeri/Ritharrngu; Anglo-Australian/Chinese/German/Irish/Scottish) 2021, 2022 (printed 2023)

Brenda L Croft
Portrait, original wet plate collodion process tintype, digital scan to Ultrachrome pigment on paper

Purchased 2023

Baz Luhrmann

Glossy 2

Faces, Magazines, Now
Previous exhibition, 2005

Following the success of Glossy: Faces, Magazines, Now in 1999 the National Portrait Gallery again highlights the huge array of contemporary portraiture in the pages of magazines.
Portrait of Mr Frank Packer

Vintage Cassab

Magazine article by Dr Sarah Engledow, 2006

The oil portrait of Sir Frank Packer KBE by Judy Cassab was gifted to the National Portrait Gallery in 2006.
Hilda Heley, 2015 Peter Wegner

Drawn from life

Magazine article by Penelope Grist, 2021

Penelope Grist discovers the rich narratives in Peter Wegner’s series of centenarian portraits.
Self portrait with gladioli

Facing Facts

Magazine article by Andrew Sayers AM, 2003

Former NPG Director, Andrew Sayers describes the 1922 Self-portrait with Gladioli by George Lambert.
image not online

Annual Appeal

Listed by year
Honour board
Self Portrait, 1963–64

What price self?

Magazine article by Jane Raffan, 2013

Jane Raffan investigates auction sales of self portraits nationally and internationally.
Barry Humphries

Talking heads

About Face article

In their own words lead researcher Louise Maher on the novel project that lets the Gallery’s portraits speak for themselves.
First-Class Marksman, 1946 by Sidney Nolan

Money for Myth

Magazine article by Jane Raffan, 2015

Australian character on the market by Jane Raffan.
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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

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